This photograph captures an Igbo girl from Nibo, now in Anambra State, adorned with ùlì body art. Taken by British anthropologist Northcote Thomas in 1911, it showcases the unique artistic expression of the Igbo people. Ùlì, a traditional form of body decoration, held aesthetic, cultural, and spiritual significance.
These 1909-1913 portraits of an Igbo woman from Oweri Province capture her beauty. The first, a front view, highlights her calm gaze, while the second, a side profile, reveals her intricate braids, earrings and headscarf, embodying Igbo dignity.
A black and white photograph of an Igbo woman, circa 1910. She has her hair styled in an elaborate pattern with geometric designs. She is wearing a beaded necklace and a cloth wrapped around her chest. The photograph was taken by Northcote Whitridge Thomas.
The photograph shows a group of titled men, possibly members of the prestigious Nze na Ozo society. The image highlights their traditional attire, which includes symbolic robes, headgear, and the iconic red caps known as okpu mme. The presence of ceremonial staffs and ivory bracelets signifies their high status.
This historical group portrait, captured by Dr. William Henry Crosse between 1886 and 1895, shows individuals from the Niger River Igbo area in Nigeria. Taken during the period of the Royal Niger Company’s operations, this image is part of the…
A photograph from around 1880 to 1905 by Nigerian Photographer J.A. Green. The image depicts a young Igbo woman, adorned in traditional wedding attire. She wears a patterned textile dress, elaborate beaded jewelry, and a unique hairstyle. A patterned textile serves as the backdrop.
This colorized photograph, originally captured by Northcote Thomas in approximately 1911, features an Elder of Agukwu Nri. The image is a crucial artifact for understanding traditional Igbo society and its hierarchical structure. It underscores the significance of titleholders and their roles in Igbo culture. The traditional attire visible in the photograph offers insights into social standing and community significance.
The black and white photograph features Obi Samuel Okosi I, seated in an elevated and dignified pose, wearing a richly adorned robe and a crown reminiscent of European royal aesthetics. The backdrop includes two symbolic emblems with crowns, further emphasizing…
The black and white photograph depicts Chief Obudugbo, also known as Ezeana of Neni, seated in a dignified pose. His attire includes a traditional patterned garment and a prominent beaded necklace, signifying his role as a guardian of Ani, the…
This photograph, taken around 1911 by Northcote Thomas, is a significant historical artifact that offers a look into the life of the Igbo people in Igbariam. It features a man and a child, captured in a moment that transcends time, providing insight into the familial bonds, and the social environment of the era.
Over a century ago, British anthropologist Northcote Whitridge Thomas captured this iconic image—an Igbo elder from Awka adorned in a wooden head dress, set with pearl buttons, and seated on an oche mpata. This photograph provides a unique glimpse into the cultural and social heritage of the Igbo people, particularly focusing on the esteemed position of women in Igbo society.
This photograph provides a look into life in Asaba around 1900. It captures a couple whose clothing reflects a blend of cultural influences. The man’s outfit shows signs of European fashion, while the woman’s attire incorporates traditional Igbo elements, illustrating the merging of local and colonial styles during that period.
This photograph, captured by Northcote Thomas around 1912-13, presents an elder of Obomkpa, providing a unique glimpse into the heart of this community. The elder's expression and attire reflect the wisdom and traditions that define Obomkpa.
