Dibia

A Dibia with His Tools, 1921

Historical Events

Arochukwu in Flames, 1901

Portraits

A Couple from Asaba, Nigeria, 1900

Masks Masquerades

Ogaranya Masquerade, Nimo, 1930s

Arts

Young Igbo Girl Painted with Uli, 1930s

Young Igbo Girl Painted with Uli, 1930s

Young Igbo Girl Painted with Uli, 1930s

This black and white photograph shows a young girl adorned with traditional body art. The woman’s skin is painted with Uli patterns. She is wearing a headpiece with feathers and other decorative elements. Her back is turned towards the camera, showing the designs on her skin more prominently. The blurred figures in the background suggest that this photo was taken at a public event or gathering. This image showcases the Igbo traditional art form of Uli. This art form holds significance in terms of identity and aesthetics within this community.
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The Significance of Minimal Clothing in Igbo History

The Significance of Minimal Clothing in Igbo History

Traditional Igbo clothing has often been misunderstood, particularly in the context of what some might call "nudity." Historical photographs of the Igbo people have frequently been misinterpreted as symbols of backwardness or immodesty by outsiders. However, these depictions reflect a rich cultural history deeply rooted in environmental, social, and spiritual factors.
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Entrance Portico of Chief Ogbua’s Iba, Onicha, 1961

Entrance Portico of Chief Ogbua’s Iba, Onicha, 1961

This black-and-white photograph features the entrance portico of Chief Ogbua’s Igbo traditional house (iba). The visible wall carvings show geometric and symbolic designs, which were typical of Igbo architecture. The door leads into another section of the house, suggesting this structure is part of a larger residential complex. The photograph…

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Young Igbo Man with Traditional plaited Hairstyle and Neck Beads, circa 1880-1939

Young Igbo Man with Traditional plaited Hairstyle and Neck Beads, circa 1880-1939

This black-and-white photograph showcases a profile view of a young Igbo man with a domed, plaited hairstyle adorned with beads. His neck is decorated with a traditional bead necklace, reflecting the cultural emphasis on personal adornment in Igbo society. The image, a gelatin silver print taken between 1880 and 1939, captures both the artistic and cultural significance of these features.
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Iro Ekpetu masquerader from Amuda village, Onitsha Province, 1932 and 1938

Iro Ekpetu masquerader from Amuda village, Onitsha Province, 1932 and 1938

This 1932-1938 photograph showcases a "Mau" or ghost masquerade, known as Iro Ekpetu, from Amuda village in the Onitsha Province. The image captures the masquerader, seated and holding a stick, adorned in a fierce black mask with intricate carvings, white-painted eyes, and exaggerated facial features like a bulging mouth with protruding teeth. The mask is topped with a raffia hairpiece, adding to its menacing appearance. The background reveals a traditional Igbo setting, with mud huts and lush vegetation, grounding the cultural significance of this Igbo masquerade tradition.
Read MoreIro Ekpetu masquerader from Amuda village, Onitsha Province, 1932 and 1938
Key Figures in Igbo Spiritual and Social Order: Nze, Ozo, Eze, and Ichie

Key Figures in Igbo Spiritual and Social Order: Nze, Ozo, Eze, and Ichie

The Ozo society stands at the heart of Igbo culture, symbolizing the highest levels of spiritual and social order. This article examines the roles of Nze, Ozo, Eze, and Ichie, emphasizing their crucial contributions to the spiritual and social cohesion of Igbo communities. Additionally, it explores the impact of European…

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The Architecture of Yam Barns: Preserving Igbo Agrarian Heritage

The Architecture of Yam Barns: Preserving Igbo Agrarian Heritage

Yam barns, known as “Oba” in Igbo, serve as more than just storage facilities. They stand as architectural marvels that showcase the ingenuity and cultural heritage of the Igbo people. This post delves into the construction techniques, cultural significance, and preservation efforts of these traditional structures. Construction of Yam Barns…

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Igbo Women’s Hairstyles: A Rich Heritage of Culture and Art

Igbo Women’s Hairstyles: A Rich Heritage of Culture and Art

Igbo women’s hairstyles have long been a symbol of cultural identity, artistry, and social status. These hairstyles, which have evolved over centuries, are not merely about aesthetics but also about conveying deeper cultural meanings. This post explores the historical significance, materials and techniques, cultural context, and modern relevance of Igbo…

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The Anglo-Aro War: A Clash of Cultures and Power

The Anglo-Aro War: A Clash of Cultures and Power

The Anglo-Aro War (1901-1902) was more than just a military conflict; it represented a profound clash of cultures and ideologies. The Aro Confederacy, along with other southeastern Nigerian communities, fiercely resisted British colonial expansion for over two decades. According to Robert D. Jackson’s “The Twenty Years’ War,” this prolonged resistance…

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Traditional Igbo Houses: Architecture and Cultural Significance

Traditional Igbo Houses: Architecture and Cultural Significance

The traditional architecture of the Igbo people in southeastern Nigeria is a reflection of their rich cultural heritage and practical needs. These houses are not just dwellings but are imbued with cultural, social, and spiritual significance. Structure and Materials Traditional Igbo houses are typically constructed using locally available materials such…

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Northcote Thomas: A Complex Legacy for Igbo Anthropology

Northcote Thomas: A Complex Legacy for Igbo Anthropology

Northcote Whitridge Thomas, an anthropologist appointed by the British government, embarked on a series of ethnographic expeditions in Nigeria from 1909 to 1915. His work, particularly among the Igbo people, left a lasting impact on the study of African cultures. However, his legacy is intertwined with both significant contributions and…

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The Eze Nri

The Eze Nri

The Eze Nri, the traditional ruler of the ancient Kingdom of Nri in present-day southeastern Nigeria, stands as a symbol of peace, culture, and spiritual authority in Igbo history. Unlike other African kingdoms, the Eze Nri wielded power not through military might but through religious and cultural influence. This established…

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