![Igbo woman with elaborate geometric hairstyle, circa 1910. (Northcote Thomas Collection, Museum of Archaeology and Anthropology, Cambridge University, P.119601.NWT)](https://i0.wp.com/igboarchives.com.ng/wp-content/uploads/2024/07/890391_P.119601.NWT_001.png?fit=220%2C300&ssl=1)
Category Archives
Explore a rich collection of images that capture the essence of Igbo culture, history, and traditions. This category features photographs with detailed descriptions, showcasing various aspects of Igbo life, including art, fashion, archaeology, architecture, and more.
![Igbo woman with elaborate geometric hairstyle, circa 1910. (Northcote Thomas Collection, Museum of Archaeology and Anthropology, Cambridge University, P.119601.NWT)](https://i0.wp.com/igboarchives.com.ng/wp-content/uploads/2024/07/890391_P.119601.NWT_001.png?fit=220%2C300&ssl=1)
![Igbo man tying yams in a yam barn, 1880-1939](https://i0.wp.com/igboarchives.com.ng/wp-content/uploads/2024/06/58232001.jpg?fit=296%2C300&ssl=1)
Igbo man tying yams in a yam barn, 1880-1939
![Group portrait of Igbo men with ceremonial attire, 1900-1915.](https://i0.wp.com/igboarchives.com.ng/wp-content/uploads/2024/06/62256001.jpg?fit=300%2C216&ssl=1)
Group portrait of titled Igbo men, 1900s
![A Dibia with his tools, 1921. Source: Basden, G. T. Among the Ibos of Nigeria. Philadelphia: J.B. Lippincott, 1921, pg. 160.](https://i0.wp.com/igboarchives.com.ng/wp-content/uploads/2024/06/DPa-ClNW0AA4v3o.jpeg?fit=300%2C261&ssl=1)
A Dibia with His Tools, 1921
![One end of an Ikoro (large slit drum) depicting a seated woman figure holding a baby in her lap. Photograph by Gwilliam Iwan Jones, 1932-1939, Ohafia, Nigeria. Image source: Jones Collection.](https://i0.wp.com/igboarchives.com.ng/wp-content/uploads/2024/05/1000292_N.13031.GIJ_.png?fit=291%2C300&ssl=1)
A Wooden Ikoro Drum from Ohafia with a Female Figure Holding a Baby. 1930s
![Group portrait taken by Dr. William Henry Crosse, Royal Niger Company, c. 1886-1895, Nigeria. Image source: MAA Cambridge.](https://i0.wp.com/igboarchives.com.ng/wp-content/uploads/2024/05/EI9RISUXUAEuiAl.jpeg?fit=300%2C252&ssl=1)
Group Portrait from the Royal Niger Company, Niger River Igbo area, c. 1886-1895
This historical group portrait, captured by Dr. William Henry Crosse between 1886 and 1895, shows individuals from the Niger River Igbo area in Nigeria. Taken during the period of the Royal Niger Company’s operations, this image is part of the Crosse Collection at the Museum of Archaeology and Anthropology, Cambridge.…
![A black and white photographic print from c. 1880 by J.A. Green. The image depicts a young adult female seated in a chair, adorned in Igbo wedding attire. She wears a patterned textile dress, elaborate beaded jewelry, and a unique hairstyle. A patterned textile serves as the backdrop. (British Museum, Af,A50.3)](https://i0.wp.com/igboarchives.com.ng/wp-content/uploads/2024/05/55649001.jpg?fit=209%2C300&ssl=1)
A young Igbo bride in wedding attire, c. 1880-1905
![A wood carver carving an Ikenga figure, Nri-Awka Igbo. c. 1930](https://i0.wp.com/igboarchives.com.ng/wp-content/uploads/2024/05/tumblr_ohkri1k3Ij1qjh37to1_1280.jpg?fit=283%2C300&ssl=1)
A wood carver carving an Ikenga figure, Nri-Awka Igbo. 1930s
![Heavy wood door from Nri Awka, 19th-20th century](https://i0.wp.com/igboarchives.com.ng/wp-content/uploads/2024/05/20240516_151431.jpg?fit=200%2C300&ssl=1)
Heavy wood door from Nri Awka, 19th-20th century
This heavy wooden door, known as ḿgbó èzí in the Igbo language, is more than just an entrance. It’s a statement piece, a symbol of status, and a testament to the artistic heritage of the Igbo people. These doors were traditionally used as grand entryways to the enclosed compounds of…
![Ceramic Alter for the Igbo yam/agriculture deity Ifejioku from Osisa in the Ndokwa Igbo area, 1890s](https://i0.wp.com/igboarchives.com.ng/wp-content/uploads/2024/05/517678001.jpg?fit=222%2C300&ssl=1)
Ceramic Alter for the Igbo Agriculture Deity Ifejioku. c 1890
Ceramic group of figures on a stand, made of pottery. In the centre is a man holding a drinking-horn in his left hand and a fan in his right, both signs of his status. Either side of him are two pregnant women, probably his wives, with elaborate hairstyles and scarification,…